Eva van Emden (she/her), freelance editor

Certified copy editor and proofreader

eva@vancouvereditor.com

September 11, 2012

Love Trumps Grief released

Book cover: Love Trumps Grief by Kristin Akin I’m excited to see that Love Trumps Grief, a book that I worked on this spring, has been released. It’s a memoir of a mother whose two sons were diagnosed with hemophagocytic lymphohistiocytosis (HLH), a rare blood disease. The only long-term treatment was a bone marrow transplant. Kristin Akin writes with strong emotion and unflinching courage about her family’s experience throughout her sons’ illness. I was deeply impressed not just by her perseverance, but at her ability to create love, joy, and even fun and humour in between the grimmest medical necessities.

The Matthew and Andrew Akin Foundation
OneMatch: Canadian bone marrow donation. The Canadian registry shares information internationally.
US National Marrow Donor Program

September 4, 2012

Advanced Proofreading workshop September 22

Image courtesy of Jeremy Keith
I can only imagine how the proofreader felt. Photo by Jeremy Keith (adactio) at Flickr. Some rights reserved.
The Editors’ Association of Canada, BC branch is offering a workshop on advanced proofreading taught by Ruth Wilson. The workshop will be on Saturday, September 22 from 9 to 4 at SFU Harbour Centre. Register by September 7 for early bird pricing (registration closes on September 14).

August 15, 2012

Stephen King’s Danse Macabre

Stephen King Danse Macabre I came to this book not as a horror fan, but because I really like Stephen King’s non-fiction writing. If nothing else, he broadened my view of horror; it’s much more than just haunting and slashing. He discusses books by Shirley Jackson and John Wyndham and goes into detail about Ray Bradbury’s Something Wicked This Way Comes, a book I’m very fond of.

King’s enthusiasm for the genre makes this book a lot of fun to read. In chapter 7, “The Horror Movie as Junk Food,” he explains, “Once you’ve seen enough horror films, you begin to get a taste for really shitty movies . . . Real fans of the genre look back on a film like The brain from Planet Arous (It Came From Another World WITH AN INSATIABLE LUST FOR EARTH WOMEN!) with something like real love.” (This chapter shows a great still from a movie called Robot Monster featuring a man in a gorilla suit wearing a diving helmet. What makes the picture even funnier is that to my Canadian eye it looks exactly like a bear in a diving helmet.)

The only drawback is that this book was written in 1979. This is great if you’re a fan of the books and movies of that era, but I’d love to hear about what King thinks of what’s come out in the last thirty years. Another book, perhaps?

On giving lectures: “I have written my belief that no one is exactly sure of what they mean on any given subject until they have written their thoughts down; I similarly believe that we have very little understanding of what we have thought until we have submitted those thoughts to others who are at least as intelligent as ourselves.”

On art versus exploitation (skating over thin ice): “Hooper works in Chainsaw Massacre, in his own queerly apt way, with taste and conscience.”

Children and scary movies: “The irony of all this is that children are better able to deal with fantasy and terror on its own terms than their elders are . . . The point is, if you put a little kid of six in the front row at a screening of The Texas Chainsaw Massacre along with an adult who was temporarily unable to distinguish between make-believe and ‘real things’ . . . my guess is that the kid would have maybe a week’s worth of bad dreams. The adult might spend a year or so in a rubber room, writing home with Crayolas.”

Some of the books he discusses in the text:

  • Ghost Story—Peter Straub
  • The House Next Door—Anne Rivers Siddons
  • Some of Your Blood—Theodore Sturgeon
  • The Haunting of Hill House—Shirley Jackson
  • Strange Wine—Harlan Ellison
Stephen King’s list of recommended horror books.

Reviewed from my own copy of the book.

July 22, 2012

Neil Gaiman on freelancing

A while ago Neil Gaiman gave a commencement address in which he shared some secrets of freelancing (starts at 13:00 on the video). He says there are three secrets to keeping work:
  1. Do good work.
  2. Deliver on time.
  3. Be pleasant to work with.
You get work however you get work. But people keep working in a freelance world—and more and more of today’s world is freelance—because their work is good, and because they’re easy to get along with, and because they deliver the work on time.

And you don’t even need all three. Two out of three is fine. People will tolerate how unpleasant you are if your work is good and you deliver it on time. People will forgive the lateness of your work if it’s good and they like you. And you don’t have to be as good as everyone else if you’re on time and it’s always a pleasure to hear from you.

—Neil Gaiman (transcription mine)

March 22, 2012

Strange Flesh by Michael Olson

One thing the internet reveals is that the world contains multitudes of people just like you . . . Some people are looking to share their thoughts, others are looking to share . . . other things.
Strange Flesh Michael Olson As heartbreak leads to loneliness, which leads in turn to net porn and no-strings dating sites, the wear and tear on James Pryce’s body and soul are beginning to build up. When the Randall twins, rich acquaintances from college, hire him to go undercover to find their brother, it seems like an opportunity to step off the path his life has taken recently. Instead, it leads to an online world defined by the escalating demands of the Fever, orchestrated by an artist who likes nothing better than to see his virtual creations bleed into real life.

I loved it. The ongoing themes of compulsion and addiction, secrecy and shame make for a satisfying underpinning to a well-plotted story of digital trickery and a feuding family. The technical detail rings true (although I’d never heard of using foot pedals for your modifier keys). Best of all, the writing is very good indeed, and the narrator’s dry delivery makes certain grotesqueries funnier than perhaps they should be.

So is it Neal Stephenson plus titillation? Not really. There’s geek service, but our hero is a social engineer, not a brain. And social though he is, don’t expect to find too much erotica here. It reminded me more of Chuck Palahniuk, with maybe the slightest whiff of Less than Zero. Call it a thriller with geek appeal. Transgressive geek appeal.

Publication date April 3, 2012
Strange Flesh excerpt


Reviewed from a free copy sent by the publisher.