The Matthew and Andrew Akin Foundation
OneMatch: Canadian bone marrow donation. The Canadian registry shares information internationally.
US National Marrow Donor Program
The Matthew and Andrew Akin Foundation
OneMatch: Canadian bone marrow donation. The Canadian registry shares information internationally.
US National Marrow Donor Program
King’s enthusiasm for the genre makes this book a lot of fun to read. In chapter 7, “The Horror Movie as Junk Food,” he explains, “Once you’ve seen enough horror films, you begin to get a taste for really shitty movies . . . Real fans of the genre look back on a film like The brain from Planet Arous (It Came From Another World WITH AN INSATIABLE LUST FOR EARTH WOMEN!) with something like real love.” (This chapter shows a great still from a movie called Robot Monster featuring a man in a gorilla suit wearing a diving helmet. What makes the picture even funnier is that to my Canadian eye it looks exactly like a bear in a diving helmet.)
The only drawback is that this book was written in 1979. This is great if you’re a fan of the books and movies of that era, but I’d love to hear about what King thinks of what’s come out in the last thirty years. Another book, perhaps?
On giving lectures: “I have written my belief that no one is exactly sure of what they mean on any given subject until they have written their thoughts down; I similarly believe that we have very little understanding of what we have thought until we have submitted those thoughts to others who are at least as intelligent as ourselves.”
On art versus exploitation (skating over thin ice): “Hooper works in Chainsaw Massacre, in his own queerly apt way, with taste and conscience.”
Children and scary movies: “The irony of all this is that children are better able to deal with fantasy and terror on its own terms than their elders are . . . The point is, if you put a little kid of six in the front row at a screening of The Texas Chainsaw Massacre along with an adult who was temporarily unable to distinguish between make-believe and ‘real things’ . . . my guess is that the kid would have maybe a week’s worth of bad dreams. The adult might spend a year or so in a rubber room, writing home with Crayolas.”
Some of the books he discusses in the text:
Reviewed from my own copy of the book.
And you don’t even need all three. Two out of three is fine. People will tolerate how unpleasant you are if your work is good and you deliver it on time. People will forgive the lateness of your work if it’s good and they like you. And you don’t have to be as good as everyone else if you’re on time and it’s always a pleasure to hear from you.
—Neil Gaiman (transcription mine)
One thing the internet reveals is that the world contains multitudes of people just like you . . . Some people are looking to share their thoughts, others are looking to share . . . other things.
I loved it. The ongoing themes of compulsion and addiction, secrecy and shame make for a satisfying underpinning to a well-plotted story of digital trickery and a feuding family. The technical detail rings true (although I’d never heard of using foot pedals for your modifier keys). Best of all, the writing is very good indeed, and the narrator’s dry delivery makes certain grotesqueries funnier than perhaps they should be.
So is it Neal Stephenson plus titillation? Not really. There’s geek service, but our hero is a social engineer, not a brain. And social though he is, don’t expect to find too much erotica here. It reminded me more of Chuck Palahniuk, with maybe the slightest whiff of Less than Zero. Call it a thriller with geek appeal. Transgressive geek appeal.
Publication date April 3, 2012
Strange Flesh excerpt
Reviewed from a free copy sent by the publisher.